Archive for July, 2007

CHAPTER 3 INTRODUCTION TO LAYERS I ll type (1 on 1 web hosting)

Friday, July 27th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS I ll type some text in my sample (Figure 3-9). But it s tiny! My font size is much too small for this large image. Now it s time to look at the Text tool options. Figure 3-9. Font size is much too small Like all Toolbox tools, the Text tool has options shown below the Toolbox (or in the Tool Options dialog, if you ve undocked it). You saw those options in Figure 3-6. Note The title for this area is the name of the tool in this case, Text but this area, in the same place for all tools, is referred to as Tool Options. You ll probably already be familiar with many of the Text tool options from using word processors. Font, Size, Color, and Justify all change the appearance of the text in the specified way. Hinting and Force auto-hinter control how text is displayed at small sizes. In image editing, you ll be using fairly large text sizes most of the time, so you shouldn t need to change these settings. But if you re using small text, they re worth trying.
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CHAPTER 3 INTRODUCTION TO LAYERS Figure 3-7. (Web host 4 life)

Thursday, July 26th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS Figure 3-7. The GIMP s Text Editor window, ready for you to type something The Text Editor is a very simple dialog: Open lets you load text from a file. Clear deletes whatever text you ve typed in and lets you start over. Of course, normal editing operations also work, like selecting the text and typing something else, or using the Backspace key repeatedly. LTR and RTL stand for Left To Right and Right To Left. Some languages require a right- to-left option, but for English text, you can safely ignore these buttons. As soon as you type into the Text Editor, your text appears in the window. But something else happens: a new layer appears in the Layers dialog (Figure 3-8). You re now using layers! Figure 3-8. The new text layer in the Layers dialog
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CHAPTER 3 INTRODUCTION TO LAYERS Note Remember (Web site templates)

Thursday, July 26th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS Note Remember in the first paragraph when I said you could just make the changes to the image itself instead of using layers? Now you know it s really a layer anyway! The Text Tool Now you ll add some text to the image. To do that, select the Text tool in the Toolbox (Figure 3-6). Figure 3-6. Selecting the Text tool I ll talk about the Text tool s options in a moment, but it s easier to see their effect when you have some text to work with. So click anywhere in the image. The Text Editor window pops up (Figure 3-7).
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CHAPTER 3 INTRODUCTION (Anonymous web server) TO LAYERS Figure 3-4.

Wednesday, July 25th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS Figure 3-4. A rock formation in Goblin Valley Figure 3-5. The Layers dialog when the image is a single photo with no additional layers
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CHAPTER 3 INTRODUCTION TO LAYERS Using Layers (Sri lanka web server)

Wednesday, July 25th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS Using Layers to Add Text Layers are much easier to understand when you create them for yourself. So let s try a couple of basic projects. The first step is making sure that the Layers dialog is visible. It s shown by default when you start the GIMP; but if you closed it at some point, bring it back now by using the Toolbox menu File . Dialogs . Layers. The Layers dialog looks like Figure 3-3 (the layers shown are the ones that correspond with the flower image above). Figure 3-3. The Layers dialog I ll talk about the various parts of the Layers dialog later in the chapter. For now, just make sure it s visible. Now open an image any image. I ll use this photo of a rock formation from Goblin Valley, Utah (Figure 3-4). The Layers dialog now looks like Figure 3-5. The image only has one layer, named Background .
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CHAPTER 3 INTRODUCTION TO LAYERS Figure 3-2. (Disney web site)

Tuesday, July 24th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS Figure 3-2. The image created by the layers in Figure 3-1 Why bother with this? After all, you could just take a photo, put text on top of it, draw the frame directly on it, and get the same result. Right? The difference is that with layers you have much more control. If you draw text directly onto an image, you d better choose the right location for it, and the right font, size, and color. If you later decide the text would look better twice as big and over on the left instead of the right, there s no easy way to make the changes. With layers, you can edit and revise to your heart s content. Set up a text layer. If you don t like it where it is, move it somewhere else. If you want to make it bigger, or move part of it behind another layer, or turn it off to see what the image looks like without it, you can do that too. In addition, each layer contains only a specific part of the image. That can help when you apply other effects. A text layer contains only text, which means you can go back and change what it says, or try a different font or color. The frame in Figure 3-1 and Figure 3-2 was in its own layer, which made it easy to generate a drop shadow from it. Since layers are so powerful, the GIMP is designed around them. Most of GIMP s effects (beyond the basic photo manipulation methods you learned in Chapter 2) either create new layers or assume that you re working from a single layer in an image that has other layers. Therefore, some familiarity with layers is crucial to getting the most out of the GIMP.
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CHAPTER 3 INTRODUCTION TO LAYERS What Is (Fedora web server)

Tuesday, July 24th, 2007

CHAPTER 3 INTRODUCTION TO LAYERS What Is a Layer? Every image the GIMP works with is made by combining one or more separate images, called layers, laid on top of each other. As you ll recall from the discussion of file types in Chapter 2, images can include full or partial transparency. So can layers. In the simplest way of combining layers, normal mode, anything completely opaque (not transparent at all) in the top layer is all you see in the final image. If the top layer is a photograph, like the ones you worked with in Chapter 2, then that s all you ll see in the final image, even if there are other layers underneath. Layers get much more interesting when they include transparency. A transparent layer lets you put part of one image on top of another. Everywhere that the top layer is opaque is what you see in the final image; but where the top layer is transparent, you can see through to the next layer down. If that layer, in turn, has transparency, then you can see through to the next layer down, and so forth. Figure 3-1 illustrates how a layer stack works in an image with several components. The top layer contains text; everything else is transparent. Next down is part of a flower photograph. The edges fade away just outside the flower so anything outside of that is transparent. Under the flower are layers for a picture frame, a shadow cast by the frame, and the background color. When these layers are combined, the image looks like Figure 3-2. Figure 3-1. How multiple layers combine to form an image
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Dedicated web hosting - Introduction to Layers CHAPTER 3

Monday, July 23rd, 2007

Introduction to Layers CHAPTER 3 Layers sound intimidating. When you start to use an image-editing program, your first impulse is to avoid them and just make all your changes directly to the image. But multiple layers make almost every aspect of image editing easier. If you learn about them now, you ll save an amazing amount of time, and operations that previously would have been impossible become easy. This chapter will cover the following topics: What is a layer? Using layers to add text Using the Move tool Changing colors: the GIMP s color chooser Using simple effects on layers Linking layers together Performing operations on layers Using layers for copy and paste A tour of the Layers dialog Bonus project: Making simple GIF animations
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Web hosting comparison - CHAPTER 2 IMPROVING DIGITAL PHOTOS Figure 2-39.

Monday, July 23rd, 2007

CHAPTER 2 IMPROVING DIGITAL PHOTOS Figure 2-39. No longer a demon! Summary Now you know enough to take your photos, fix any minor problems they may have, and share them with anyone in an appropriate size and format. You can crop your photos to preserve the most important parts and get rid of the rest. You can correct problems with brightness and contrast, minor rotation difficulties, and red-eye caused by too much flash. You know when to use GIF, when to use JPG, and when to use PNG or TIFF. You can even modify photographs that aren t completely in focus. That may be enough to keep you busy for quite a while. But there s so much more that you can do with an image-editing program! The heart of image editing is learning to use layers. It s a different model than you may have used in simpler photo-editing programs, but once you begin to use layers, you ll wonder how you ever lived without them. So take a deep breath, and prepare to explore layers, the real power of the GIMP.
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CHAPTER 2 (Ipower web hosting) IMPROVING DIGITAL PHOTOS If you

Monday, July 23rd, 2007

CHAPTER 2 IMPROVING DIGITAL PHOTOS If you find the selection boundary distracting, using Control+T toggles the selection outline off temporarily; it s a shortcut for View . Show Selection. You can do this even when you re in the middle of an operation such as hue-saturation. Be sure to press Control+T again right afterward to turn it back on, or else you ll end up with a selection you can t see! The Lightness slider makes the image brighter or darker, much as the Brightness slider in the Brightness-Contrast dialog did. With Lightness adjusted much darker (Figure 2-38), the pupil looks much more natural. Figure 2-38. Making the pupil slightly darker Now go back to the Ellipse Selection tool, select the other pupil, and apply the same operation. Voil ! No more demon! (See Figure 2-39.)
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