CHAPTER 10 ADVANCED COMPOSITING 415 Adjust with (Web host 4 life)
CHAPTER 10 ADVANCED COMPOSITING 415 Adjust with Other Tools if Necessary Most of the time, you can get what you need (except the sky) by drawing on the layer mask. But in a few cases, you ll have something perhaps a branch, or a road that just doesn t meet in the two images. Sometimes, you can use other tools to fix this. Of course, you can draw directly on the image, using your cloning and smudging skills from Chapter 6. But first, try IWarp (described in Chapter 7, Distorts ). Sometimes careful use of IWarp can do exactly what you need. Add the Rest of the Images You re done adding the second image! Now, repeat the steps for each of the pieces of your panorama: load the image, add a layer mask, move it into place, adjust the layer mask, and make any additional adjustments you need. Final Adjustments Ironically, skies are particularly hard to get right in panoramas. Differences in exposure seem much more obvious against a clear blue sky. So go ahead and cheat: select the sky using your favorite selection technique, and then make a sky from a gradient between two shades of blue, just like in the Decomposing to HSV exercise in Chapter 8. Finally, crop the panorama. The top and bottom edges of the component images probably won t quite line up. It s your choice: you can leave the edges ragged (Figure 10-40), to show off its panoramic nature, or you can crop to an even rectangle so it looks like the whole thing was taken in one shot. Figure 10-40. Crop the panorama. Leave the ragged edges if you like: sometimes it s fun to show how many images went into your creation.
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